Joshua Smith is a miniaturist and former stencil artist based in Norwood, South Australia. With a career spanning 17 years he has showcased his work in London, Paris, Berlin, New York, Japan and all over Australia in over 100 exhibitions. Formerly a self taught stencil artist Josh refocused his career to establishing Espionage Gallery, an Art Gallery based in Adelaide, South Australia showcasing both emerging and well established local, interstate and international artists. For 4 years he showcased over 600 artists from over 20 countries.
In 2015 after the closure of Espionage Gallery Josh refocused back onto his own career this time as a self taught miniaturist. His miniature works primarily focus on the often overlooked aspects of the urban environment such as grime, rust, decay to discarded cigarettes and graffiti perfectly recreated in 1:20 scale miniatures.
According to CNN, “Fearless Girl” was installed Tuesday by State Street Global Advisors as part of the asset-manager’s campaign to increase the number of women on their clients’ corporate boards.
A group of women who work together also came to the financial district to see the statue on International Women’s Day. “We really like the little girl standing up to the bull,” one said.
A man who works nearby said, “I have two daughters and I thought it was pretty impressive that they have this up here.”
“Fearless Girl” wasn’t the only one overwhelmed by attention. The woman who created her, artist Kristen Visbal, says she’s been inundated with calls and emails from fans.
Visbal said that team behind the campaign,which includes the advertising agency McCann NY, approached her to design a statue of a young girl. “We were focusing on making a statement about the future of Wall Street,” she said. “We wanted this wonderful contrast,” she said, between the delicate child and the aggressive bull.
“I think the fact that she’s a child makes the figure much more endearing.”
Visbal was particularly moved by an image of young girl wearing a cape and posing beside the statue.
“The whole project is about girl power,” she said. “I love that phrase, because it makes us a lot stronger if we are in unison.”
Anne McNally, SSGA’s head of public relations for North America, told CNNMoney that the group has a permit that allows the statue to remain in place for one week, but that they are seeking an extension that would keep “Fearless Girl” in place for a month.
“After that, it’s up to the city,” she said. “We would be very supportive of a permanent installation as a piece of art.”
What are your thoughts on the statue?
Freedom from Want, also known as The Thanksgiving Picture or I’ll Be Home for Christmas, is the third of the Four Freedoms series of four oil paintings by American artist Norman Rockwell. The works were inspired by United States President Franklin D. Roosevelt‘s 1941 State of the Union Address, known as Four Freedoms.
The painting was created in November 1942 and published in the March 6, 1943 issue of The Saturday Evening Post. All of the people in the picture were friends and family of Rockwell in Arlington, Vermont, who were photographed individually and painted into the scene. The work depicts a group of people gathered around a dinner table for a holiday meal. Having been partially created on Thanksgiving Day to depict the celebration, it has become an iconic representation of the Thanksgiving holiday and family holiday gatherings in general.
Three generations circle the food—a nuclear family more rarely seen today, but still existing in some hearts and minds as an ideal. (If Rockwell were painting now in 2013, what might that modern American family look like racially or even in terms of sexual orientation?) From the lower right corner, in the finest Renaissance tradition of painting, a young man looks out at you directly—the classic challenge to the viewer posed by the painter and his painting. His smile asks you to join in with the wonder at the bounty set before them, but is that all it asks? After more than a decade of overseas wars draining of us blood and treasure and an economic downturn further depleting our reserves of good will and thankfulness, that young man’s smile reminds us that the Thanksgiving thanks are not necessarily for abundant protein and four kinds of vegetables. Instead, the thankfulness is for having each other and the enduring capacity of people to free one another from all kinds of want—physical, emotional, and even spiritual.
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Never Give Up
Kanye West Calls Taylor Swift a ‘Fake Ass’ in Leaked ‘SNL’ Meltdown Audio
Yeezus! The audio of Kanye West’s backstage tantrum at Saturday Night Live was leaked on Wednesday, February 17, and he manages a crazy dig at Taylor Swift and other stars.
Us Weekly confirmed on Tuesday that West had a meltdown moments before the live broadcast and threatened to walk off during his stint. As reported, the rapper was incredibly upset about last-minute changes to his stage setup and other arrangements agreed upon prior to the live show.
Page Six obtained the exclusive, expletive-filled audio from West’s rant, and indeed, Yeezy is very upset. “Look at that s–t, they took my f–kin’ stage off SNL without asking me,” he says. “Now I’m bummed. That and Taylor Swift. Fake ass. Now we’re gonna do this. We’re breaking the motherf–king Internet.”
West’s dig at Swift was made just one day after the “Out of the Woods” singer’s publicist went on the record with Us Weekly to discredit a lyric in his new song, “Famous.” In it, the T.L.O.P. artist raps: “I feel like me and Taylor might still have sex. Why? I made that bitch famous.”
West’s rant from SNL didn’t stop there. Later, during the show, he got vexed with NBC staffers and referred to them as “white motherf–kers,” and repeated “don’t f–k with me” at least three times in one sentence.
Despite that Tantrum, West eventually made his way to the stage to perform “Highlights” and “Ultralight Beam” from The Life of Pablo. However, his meltdown was not forgotten.
“It was all that anyone talked about at the afterparty,” a source told Us.
Listen to the audio above. Warning: Explicit language throughout!