Beauty is transcendent. One should no more attempt to possess and own a beautiful object, idea, mind or person than one should attempt to bottle an ocean wave; a jar full of simple salty water is never again quite the same as the turbulent wilderness of its source. When we ourselves become owned by a beautiful idea (and what is beauty in essence, other than an idea or a perception of mind ?) we often enough fail to see that in aspiring to own, we ourselves become owned by the idea of that thing we initially sought to capture, to possess. To appreciate the beauty and symmetry of an idea or concept is enough for me – I do not need to own anything. One does not need to own a work of art to truly or fully understand or appreciate the deep beauty of its message.
Ceramic Ladies Beautifully Covered with Tattoos by Jessica Harrison
Scotland-based artist Jessica Harrison creates unique porcelain sculptures with interesting juxtapositions.
In this new series, she applies full body tattoos to delicate women figurines.
Scientists have created an “artificial womb” in the hopes of someday using the device to save babies born extremely prematurely.
So far the device has only been tested on fetal lambs. A study published Tuesday involving eight animals found the device appears effective at enabling very premature fetuses to develop normally for about a month.
“We’ve been extremely successful in replacing the conditions in the womb in our lamb model,” says Alan Flake, a fetal surgeon at Children’s Hospital of Philadelphia who led the study published in the journal Nature Communications.
“They’ve had normal growth. They’ve had normal lung maturation. They’ve had normal brain maturation. They’ve had normal development in every way that we can measure it,” Flake says.
Flake says the group hopes to test the device on very premature human babies within three to five years.
“What we tried to do is develop a system that mimics…
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Freelensing was first introduced to me over two years ago on a photography forum I belong to. Someone shared her experience of experimenting with detaching her lens to take pictures, and I marveled at what she came up with. The works were dreamy, flawed, blurry, photographic prose. I immediately grabbed my Nikon to try it out.
But…it didn’t work. I couldn’t see through the viewfinder, and only saw a black screen when I pressed the shutter button. What was going on?
Coming together on the forum, we soon discovered the problem: the aperture on my Nikkor lens was scrunching closed whenever I removed it from the camera. The only solution was to tape it open, or rig it with a piece of folded paper.
Annoyed, I gave it up for a while.
A few months (?) later, everything changed. I discovered the work of Irene Suchocki, and my interest…
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I’ve been feeling very unmotivated recently when it comes to painting.
To be completely honest, I just feel like I can’t be bothered. I feel lethargic and ‘heavy’ when I think about it, like it’s too much effort for so little in return (meaning either an unfinished painting or worse — a painting I dislike).
Lying in bed last night I remembered several conversations I’ve had over the past couple of years about the nature of motivation and inspiration, and how our feelings aren’t actually the most reliable gauge in terms of whether or not we should do something.
Feeling lethargic and unmotivated doesn’t have to stop me from being creative. In fact, no feeling has the power to prevent me from doing anything without my complicity.
I can complain of feeling horribly uninspired and still put paint on a canvas. I can feel moody and bored and still doodle on a…
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