Theodor Seuss Geisel (March 2, 1904 – September 24, 1991) was an American writer and cartoonist. He was most widely known for his children’s books, which he wrote and illustrated under the pseudonym Dr. Seuss.
He was a perfectionist in his work and would sometimes spend up to a year on a book. It was not uncommon for him to throw out 95% of his material until he settled on a theme for his book. For a writer he was unusual in that he preferred to be paid only after he finished his work rather than in advance.
Geisel published 46 children’s books, often characterized by imaginative characters, rhyme, and frequent use of anapestic meter. His most-celebrated books include the bestselling Green Eggs and Ham, The Cat in the Hat, The Lorax, One Fish Two Fish Red Fish Blue Fish, The 500 Hats of Bartholomew Cubbins, Fox in Socks, The King’s Stilts, Hop on Pop, Thidwick the Big-Hearted Moose, Horton Hatches the Egg, Horton Hears a Who!, and How the Grinch Stole Christmas!. His works have spawned numerous adaptations, including 11 television specials, four feature films, a Broadway musical and four television series.
WE AT BE LIKE WATER BELIEVE THAT WE ARE ALL PART OF THE LEARNING EXPERIENCE, SO WE WANTED TO REACH OUT TO OUR FRIENDS & FANS TO SAY WE APPRECIATE YOUR SUPPORT
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In a rare interview from 2000, Lauryn Hill shares her thoughts on the music industry, love, and creativity. At just 25, Lauryn gave great life advice with high students.
Guys meet Robert. He is a great grandfather and is ripped and strong. He started working out at 55 years old, so it’s never to late. Follow his instagram if he inspires you. @rockhardpapaw He’s from Louisville, Kentucky
What you are about to see is an absolutely magnificent rendition of a piece by Carl Sagan – synthesized together withamazing visuals of human kinds exploration into our very solar system.
The film is a vision of our humanity’s future expansion into the Solar System. Although admittedly speculative, the visuals in the film are all based on scientific ideas and concepts of what our future in space might look like, if it ever happens. All the locations depicted in the film are digital recreations of actual places in the Solar System, built from real photos and map data where available.
We are amazing creatures, and with willpower and inspiration, we can do anything.
For all its material advantages, the sedentary life has left us edgy, unfulfilled. Even after 400 generations in villages and cities, we haven’t forgotten. The open road still softly calls, like a nearly forgotten song of childhood. We invest far-off places with a certain romance. This appeal, I suspect, has been meticulously crafted by natural selection as an essential element in our survival. Long summers, mild winters, rich harvests, plentiful game—none of them lasts forever. It is beyond our powers to predict the future. Catastrophic events have a way of sneaking up on us, of catching us unaware. Your own life, or your band’s, or even your species’ might be owed to a restless few—drawn, by a craving they can hardly articulate or understand, to undiscovered lands and new worlds.
Herman Melville, in Moby Dick, spoke for wanderers in all epochs and meridians: “I am tormented with an everlasting itch for things remote. I love to sail forbidden seas…”
Maybe it’s a little early. Maybe the time is not quite yet. But those other worlds— promising untold opportunities—beckon.
Silently, they orbit the Sun, waiting.